[Critique Group 2] Leonard's comments re: Alice piece for May
tuchyner5 at aol.com
tuchyner5 at aol.com
Fri Jun 28 13:07:46 EDT 2019
I love the message in this piece. Everything in this universe is a work inprocess. Your emotional reaction to this literary expert is interesteing.
On the one hand, you give the personcredit where credit is due.
On the other hand, there may be criticismfor him or her for stating the obvious.
The assumption she makes is that poems reach a static pointwhen they become dead.
Your poem is quite clear and strong indriving that home.
The speaker may be famous, but why doesn’tshe know about a primary quality of poetry.
You take umbridge with her for implying that you, the writer,might assume that your poem might have reached the state of entombment.
The poem is rellentless in its sardonic humor.
To the Poem, Lying in State at the RhymingRotunda
by Alice Jane-Marie Massa
Abouta delicate, innocent, little poem of mine,
someonequite creatively knowledgeable
andwidely and wildly well-published
saidin passing at her presentation:
"Ilike her poem, by the way;
butI don't know if it is finished."
"Finished." Finished?
Isthat poem lying in state in the Rhyming Rotunda?
Isthe poem draped in the flag
ofthe Pickled Poets' Society?
Arethere Grammar Guards standing watch?
Arethere Punctuation Patrols ready to present the Colors?
No? No. No!
Then,I assure you the poem is not finished.
Itis just at a stage in its poetic life
whenit can appear on a poetic platform.
I love this line.
It defines this stage of a poem so well It makes a clear distinction between the status of finished and comingout.
DearLittle Poem of mine,
Atany time, each of your little words is not safe;
somewill be unceremoniously plucked away from you.
Someof your longer lines
maybe limited or lifted right off your page.
Someof your seemingly once vivacious verses
mayfall victim to the poet's carving knife.
Someof your stanzas may not stand the temporary test of time.
Evenyour precious title may be revised
whenre-read with later eyes.
Yoursweet, but weak little comma
maysoon be replaced with that stronger semicolon.
Watchout! That exclamation point
ofwhich you are so fond
maypromptly be deleted!
This stanza is great.
In addition to being a useful list of some of the ways a poem can bechanged and with a variety of reasons,
it is a warning to everyone of us.
Either willingly or unwillingly, we may change at any moment.
The forces of the worold can beseemingly capricious,
and we never know when we are going to be struk by an epiphaney that necessitates a change.
DearCritic, I assure you,
thepoem will never be completed!
Aslong as you now understand, I will not stress:
Poetryis now and forever more a work-in-progress.
Just like everything else alive.Even rocks are in transmission .
* * *
(endof poetry submission)
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