[Critique Group 2] Pieces for Tuesday Night's Meeting

Tuchyner5 at aol.com Tuchyner5 at aol.com
Mon Oct 24 21:28:09 EDT 2016


 
Hi all, 
I don’t have any strong feelings about how we choose the  order of 
readings, and Abbi’s suggestion is fine, but I have some questions for  
consideration.  
    1.  If the order in which each  of us receives the submission e-mails 
is the same, than there is an element of  predictability. Some people are 
procrastinators and will tend to have their  pieces read last, while others 
tend to get their work finished early and will  tend to have their pieces read 
first. Early on, it was decided that we didn’t  want predictability about 
these things. 
    1.  I know that when I receive  messages on my telephone the messages 
sometimes are delayed substantially in  their transmission. At least I think 
that’s what happens. So since we are all  working with different servers and 
vary in our equipment, can we be sure all  of us will receive these 
submissions at the same time? If someone really knows  the answer to these 
questions, I think it would be good to know them before we  decide on this course of 
action. 
Leonard 
 
 
In a message dated 10/24/2016 4:31:59 P.M. Eastern Daylight Time,  
abbie at mysero.net writes:

Leonard, I'm suggesting we critique pieces in the order that people  send 
them to the list. For example, if I were to send mine first, then Alice,  
then Brad, then you, then Valerie, that would be the order in which pieces  
would be critiqued. That way, it's the luck of the draw, depending on when  
people send pieces. This is the way we do it during our regular critique  
sessions. I hope this is more clear.
Abbie Johnson Taylor, Author  http://abbiescorner.wordpress.com
http://www.abbiejohnsontaylor.com
abbie at mysero.net
Order  my new memoir at http://www.abbiejohnsontaylor.com/memoir.htm 
On Oct 24, 2016 2:21 PM, Tuchyner5 at aol.com wrote:


Abbi, 
I’m not sure what you mean by , (the order in which  they come to the list) 
Please explain.  
Leonard 
 
 
In a message dated 10/23/2016 9:05:17 P.M. Eastern Daylight Time,  
abbie at mysero.net writes:

To  make it easier for me to read and make notes on pieces for Tuesday  
night's meeting, I decided to compile them in the order Leonard  
suggested in one file like I do with pieces for our regular critique  
sessions. It then occurred to me that this might be helpful to the  rest 
of you so here's my compilation. In the future though, I would  like to 
suggest we critique pieces in the order they come to the list  the way 
we do with our regular critique sessions. That would save us  all some 
time and effort.

###1. Valerie’s Piece

Love  Notes
10-8-16
Your voice surfaces in my mind
like ocean touching  shore,
flowing, then subsiding as my
heart answers
and the  minstrel sings of sorrow.
On this journey of loss
I never wanted to  take,
I walk along grief's shoreline,
smooth sands and craggy  rocks
and the minstrel stays in shadow.
Waves break in and  out,
heart tide often deep, then shallow--
I move ahead, pebbles  underfoot
as the singer leads me toward tomorrow.

###2. Abbie’s  Piece

ADVENTURE



The big black fox stood and gazed  with a curious expression at the 
little white Terrier who lay snoozing  in the grass in a sunny meadow 
next to a babbling brook. The pooch,  sensing a presence, opened her 
eyes with a start and stared,  horrified, into the fox's green, glinting 
eyes. Giving a yelp of  terror, she leapt to her feet and dashed, 
barking, across the field to  the couple on the blanket, her white back 
and tail becoming a blur.  The fox turned and scurried in the opposite 
direction, crashing into  the adjacent woods.

After a three-mile hike, Scott and Brenda were  exhausted. They ate a 
picnic lunch, then dozed, entwined on their  blanket, surrounded by 
empty Subway sandwich wrappers and water  bottles. Awakened by the dog's 
shrill barks, they sat up and rubbed  their eyes. Brenda extended her 
arms, and the little dog jumped into  them, apparently not giving the 
remnants of their meal any  thought.

"Snowflake, what is it, sweetie?" said Brenda, holding and  rocking the 
little dog. "You're shaking like a leaf!"

Scott  surveyed the landscape. "I don't see anything," he said. "The 
last  time I looked, she was sleeping in the sun, drying off after 
playing  in the creek. Maybe she just had a bad doggy dream or  something."

"You're okay," said Brenda, cuddling Snowflake against  her. “You’re 
safe with Mommy now.” The dog licked her  face.

"Jesus," said Scott. "You'd think she was your  baby."

Brenda turned to her husband, her eyes filling with tears.  "Well, you 
know we can't have children because of my stupid body, not  to mention 
my vision loss, and you don’t want to adopt. Snowflake is  all we have."

Scott sighed, shrugged, and lay down. Brenda could  hold the tears back 
no longer. She buried her face in Snowflake’s fur,  and the dog 
delivered wet, slobbery, comforting kisses. Eventually,  Brenda lay down 
on the blanket next to Scott, without touching him.  Soon, the couple 
and their dog were asleep.


In the woods,  the fox cowered, fearing the humans on the blanket would 
come after  him at any moment. When they didn't, and after an 
interminable amount  of time passed, the fox was distracted by a 
tantalizing aroma born to  his nostrils by a cool mountain summer 
breeze. Curious, he snuck out  and stood in the open field for a moment.

In the distance, he  glimpsed the figures on the blanket, lying 
motionless. The breeze grew  stronger and so did the aroma. He inched 
closer.

Snowflake sensed  the fox's approach first. She whined and started 
shaking. Alert,  Brenda held the dog close to her and said, "It's okay, 
sweetie. You're  just having another bad dream."

In answer, Snowflake barked once.  The fox stopped. Brenda opened her 
eyes, sat up, and spotted the  creature in the distance. With her 
limited eyesight, she couldn't tell  what it was but sensed it was a 
predator by the way it just stood  there. "Scott!” she cried.

He sat bolt upright. "What the hell!" He  flung a nearby rock at the 
fox. It hit the animal’s nose and thudded  to the ground. The fox 
yelped, turned, and dashed into the  woods.

Now Brenda and Snowflake were shaking. Scott put an arm  around Brenda’s 
shoulders and said, "It's okay, babe. It was just a  fox. He won't come 
back."

Brenda rested on her husband's shoulder  for a moment, feeling his 
comforting warmth. Then, remembering their  earlier conversation, she 
looked at her watch and said, "It's getting  late. We probably should 
head back."

"Whatever," said Scott  with a sigh.

As they packed the remains of their lunch, Snowflake  whined constantly 
and stayed by Brenda's side. As she stuffed items  into her back pack, 
she murmured soothing endearments to the dog.  Scott ignored them both.

As they trudged along the rocky trail,  Brenda holding Scott's arm so he 
could guide her, they said nothing  except for the occasional moment 
Scott pointed out logs or other  obstacles. Snowflake scampered ahead, 
then turned and rushed back to  see if they were coming. She 
occasionally barked at squirrels and  birds in trees, and Brenda 
laughed, but Scott said nothing. When they  finally reached the car, the 
pooch was only too happy to collapse onto  her blanket on the back seat 
and fall fast asleep.

###3.  Leonard’s Piece

Just Do It

Once a zygote came to  be,
formed by two specks of he and she,
motes of motion and  desire.
Do these add up to an intention?
Is it all explained by  devotion?

Yang will always seek to find.
Yin will always seek to  be found.
Yang lives for that new union.
Yin reaches out  patiently,
awaiting sparks of new conceptions,
in seas of  possibilities.

Great mother has countless faces,
all shrouded in  varied veils,
from black opaque of stygian night
to alluring lucid  water light,
whose eyes reveal a sky of eyes.
all peeking behind  their mantles,
beguiling discovery.

One zygote made an Albert  Einstein,
another Adolph Hitler.
One gave birth to quantum  mechanics,
the other to a Holocaust,
both driven by their passion  visions,
mileposts on creation’s roads,
Pandora’s box already  unlatched,
its substance never fully voided.
Still we’ll reap its  unknown gifts.

Yet I’ll follow creation’s way.
It is passion,  love and devotion
that fills my willing, stalwart sails.
Though I  may never know in full
wherein will be my destiny,
I’ll always have  a star to follow.


###4. Alice’s Piece

Evidence of  Emotion

by Alice Jane-Marie Massa


In the courtroom of  the heart,
I offer you Exhibit A--
clear lenses of  glasses
stained with teardrops.

Washing these unnecessarily  prescription lenses
on this nearly frosted morning,
I think of the  evidence of emotion,
the tear stains,
disappearing beneath
a  cascade of water
and the touch of my finger.

Is the sadness of  yesterday
now erased, forgotten,
evaluated, or  forestalled?

Back in the courtroom of the heart,
an unqualified  judge asked,
"Why do you wear these glasses
if you have no  vision?"

My testimony began:
"Since I was seven,
I have been  wearing glasses:
they seem as much a part of me
as my right  hand
and my left leg,
as the clothes
I don each day.
Exhibit A  has protected me
from hurt
or from greater injury
when I fell off  my bike,
when a door was accidentally slung into my face,
when I  encountered a piece of construction equipment
on the Kilbourn  Drawbridge.
Wearing these glasses
calms my concerns
about being  poked
by a low-hanging branch.
Through so many seasons of  walking,
these glasses have shielded my broken eyes
from raindrops,  snowflakes,
stinging sleet, and drying winds.
Believe me, I do not  wear them for vanity:
I let my congenitally impaired vanity
dissolve  decades ago.
Most of all,
I wear these glasses
to catch the  tears
of emotions
so that I have proof
that I did not  squelch
nor hide
all that I felt
on any yesterday.
I will  admit
that I am not
an amateur holder of emotions:
I ascend from  Italian descent;
I am
a professional holder of emotions--
a  poet
who translates
tear stains
into the adversities of  verse,
the joy of injamment,
and the strides of  stanzas."

Midst the murmurs
magnifying in the courtroom,
the  judge,
with unknown poetic license,
tapped his gavel and  bellowed,
"Poetic order in the court!"


October 14, 2016,  Friday
number of words:  318
number of lines:   70

***

Evidence of Emotion

by Alice Jane-Marie  Massa


(Verse 1)
In the courtroom of the heart,
I offer  you Exhibit A--
clear lenses of glasses
stained with  teardrops.

(Verse 2)
Washing these unnecessarily prescription  lenses
on this nearly frosted morning,
I think of the evidence of  emotion,
the tear stains,
disappearing beneath
a cascade of  water
and the touch of my finger.

(Verse 3)
Is the sadness of  yesterday
now erased, forgotten,
evaluated, or  forestalled?

(Verse 4)
Back in the courtroom of the heart,
an  unqualified judge asked,
"Why do you wear these glasses
if you have  no vision?"

(Verse 5)
My testimony began:
"Since I was  seven,
I have been wearing glasses:
they seem as much a part of  me
as my right hand
and my left leg,
as the clothes
I don each  day.
Exhibit A has protected me
from hurt
or from greater  injury
when I fell off my bike,
when a door was accidentally slung  into my face,
when I encountered a piece of construction  equipment
on the Kilbourn Drawbridge.
Wearing these glasses
calms  my concerns
about being poked
by a low-hanging branch.
Through so  many seasons of walking,
these glasses have shielded my broken  eyes
from raindrops, snowflakes,
stinging sleet, and drying  winds.
Believe me, I do not wear them for vanity:
I let my  congenitally impaired vanity
dissolve decades ago.
Most of all,
I  wear these glasses
to catch the tears
of emotions
so that I have  proof
that I did not squelch
nor hide
all that I felt
on any  yesterday.
I will admit
that I am not
an amateur holder of  emotions:
I ascend from Italian descent;
I am
a professional  holder of emotions--
a poet
who translates
tear stains
into  the adversities of verse,
the joy of injamment,
and the strides of  stanzas."

(Verse 6)
Midst the murmurs
magnifying in the  courtroom,
the judge,
with unknown poetic license,
tapped his  gavel and bellowed,
"Poetic order in the court!"

###5. Brad’s  Piece

The promise of the Guardian
C by Brad Corallo
Word  count 301
With water diamonds sparkling in her eyes
fell Guardian of  Morning, through twilight autumn skies.
In skewed formation, birds  around her flew
their gold eluminated by light no longer true.
>  From her hair were scattered brilliant blazing sparks
bits of Morning  love which
all did reach their marks.
At the point where crystal  blue caressed the land
her Light touch down ,
morphed, to bright  triumphant stand.
"I am Guardian of Morning returned
and I bring  renewal of the days.
I decree this is once again
the First  Morning
where all is washed clean with freshness dawning.
Love will  rein as Lord of
all emotion and sensation.
and the wonder of  creation
will be as light in the eyes of the children.
These things  all, I clearly see
and nothing will prevent them, I decree!"
But far  off in grumbling grayish growling gremlin gloom
loathsome chattering  time demons from the mists began to loom. They 
would not see their  Confining work undone.
They were committed to the dimming of the  sun.
Among their tools were tedium, repetition and routine.
They  worked to bind free spirits
with chains of time unseen.
At Forever  Plains they fell upon her.
She swept them from her path like shattered  dreams.
And strode forward undeterred, resolute with her renewal quest  redeemed .
In multitudes, they once again fell upon her like a  hand.
Their sheer increasing quantity her burdon to withstand.
Their  waxing mass eventually bore her to the ground.
The light of the renewal  no longer could be found.
But the bits of love that earlier showered  from her hair
sowed seeds of hope and will to joy which ever fought  despair.
So down the yawning ages her legacy remains
and whenever  spirit hearts give freely, demon power wanes.

-- 
Abbie Johnson  Taylor, Author  http://abbiescorner.wordpress.com
http://www.abbiejohnsontaylor.com
abbie at mysero.net
Order  my new memoir at  http://www.abbiejohnsontaylor.com/memoir.htm

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