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<DIV><FONT size=2 face=Arial>I hear more and more projects, especially on the
Americana and alt indie markets that sound great, better than the pop junk that
passes for top forty now, that's comming all or in part from non
traditional</FONT></DIV>
<DIV><FONT size=2 face=Arial>recording spaces, and techniques.</FONT></DIV>
<DIV><FONT size=2 face=Arial></FONT> </DIV>
<DIV><FONT size=2 face=Arial>Hurray for let's get her done how ever we can
attitude.</FONT></DIV>
<DIV><FONT size=2 face=Arial></FONT> </DIV>
<DIV><FONT size=2 face=Arial>I love it.</FONT></DIV>
<DIV><FONT size=2 face=Arial></FONT> </DIV>
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<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: black"><B>From:</B>
<A title=scottchesworth@gmail.com href="mailto:scottchesworth@gmail.com">Scott
Chesworth</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A title=rwp@reaaccess.com
href="mailto:rwp@reaaccess.com">Reapers Without Peepers</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Saturday, August 24, 2013 3:14
PM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: [RWP] Performing actions to
a large number of tracks.</DIV>
<DIV><BR></DIV>Wise words! My band aren't anywhere near as successful as I'd
like us<BR>to be in terms of actual recognition, but we are proof that
it's<BR>possible to record on a bedroom budget, then get commercial
airplay<BR>(radio and tv) from those recordings without anybody realising that
we<BR>did things any differently on the way in from the artist that
was<BR>played before or after. Is it the ideal situation? Course not. Is
it<BR>about getting stuff done with the space and gear you've got?
You<BR>betcha. Ears, taste and knowledge of the gear and space available
to<BR>me are the future so far as I can tell.<BR><BR>All that said, I'm proud
of achievements rather than defensive of<BR>methods. I'd still chew my own leg
off for the opportunity to work in<BR>one consistent well treated space. The
ears, taste and knowledge are<BR>all portable, and there's no denying that it
would make things more<BR>efficient.<BR><BR><BR>On 8/24/13, Kevin Reeves
<<A href="mailto:lists@kevinreeves.net">lists@kevinreeves.net</A>>
wrote:<BR>> When I was younger, I had a dream of having a house modified
for studio<BR>> use.<BR>><BR>> Well, as they say, life is what
happens when you're making plans. Now,<BR>> I've resolved myself to be
completely mobile: all the time. My studio is<BR>> in my bedroom, living
room, on my patio, a coffee shop, in a car going<BR>> down the road,
anywhere I am.<BR>><BR>> My creativity is spurred by the weird places I
record. I prefer to<BR>> record drums in real, untreated spaces. The drums
for my first album<BR>> were recorded in a bedroom, and this current
project, a dining room with<BR>> extremely high ceilings.<BR>><BR>>
I've just come to the conclusion that I don't want to be judged on<BR>>
space, gear, what daw I use, etc. I want to be hired on taste. I farm<BR>>
out some stuff to other studios, and do other things right here in<BR>>
house, or in car, or in wherever. It's how I roll anymore.<BR>><BR>> I
just have lost the desire to compete with anyone else in this space.<BR>>
The guy with the 10 Universal audio preamps is gonna win anyway, so
why<BR>> not bring something unique to the table.<BR>><BR>> Kevin, a
bedroom studio guy after all these years.<BR>><BR>>
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