[Rwp] type of microphone

Chris Smart csmart8 at cogeco.ca
Sat Mar 5 18:18:22 EST 2016


Here's another vote for the Shure SM7b.

At 05:08 AM 3/5/2016, you wrote:
>I have decided that Heil mics are some of the 
>most binary things on the planet. Either they 
>really work for you, or they really don’t. I 
>have used a PR20, PR22, PR30 and PR40. Out of 
>all those mics, the PR30 worked best for me, but 
>still required some slight EQing in the range 
>around 3k. The 40 was just way too muddy for me. 
>I don’t find myself doing much of anything to 
>my SM7B, except rolling the bottom off a little 
>bit, but that’s a general rule for me 
>anyway. > On Mar 5, 2016, at 4:48 AM, 
>theoreomonster at reaperaccess.com wrote: > > The 
>first question is what’s your budget? 
>Personally in my unpopular opinion you should go 
>dynamic as they are less sensitive and a great 
>at picking up whats right in front of them and 
>rejecting the rest of the room. The Heil Mics 
>are especially good at this while giving you 
>some of the qualities of a condenser mic.  The 
>share SM58 is the original standard thats been 
>used on stages and studios for decades now. 
>Condensers are generally favored for vocals but 
>in my experience they aren’t worth the hassle 
>in untreated spaces, especially if you are in a 
>room that when you sing out loud in you can 
>clearly hear al the nasty room reflections in. 
>But as stated earlier most will probably 
>disagree with me and still suggest a condenser 
>lol. Oh and there isn’t a static microphone as 
>far as i know. > >> On Mar 5, 2016, at 4:35 AM, 
>Tayeb Meftah <tayeb.meftah at gmail.com> 
>wrote: >> >> Hi guys >> i dont know if this out 
>of toppic, but >> i need a vocal microphone >> 
>and i want to buy one maybe today? >> should i 
>get a static or dynamic one, and why? >> please 
>note that i dont have a good accostic room >> 
>thanks! >> 
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