[Rwp] Understanding Envelope Visibility + Should Something Be Done in Osara?

[onlineeagle]

Hi, I am very new to this this, but in answer to your first question, I believe Shipt O will only show the envelopes on the track you're focused on. 

Sent from my iPhone

> On 21 Nov 2015, at 11:22, Matej Golian <matej.golian at gmail.com> wrote:
> 
> Hi again folks,
> it's nothing urgent, because I don't need to work with envelopes yet,
> but I'll most likely do something with them in the future. Regardless
> I'm trying to understand how they work.
> Could someone please explain to me how toggling envelope visibility
> works? Specifically, I'd like to know the relationship between
> selecting tracks and switching between active envelopes. The thing I
> can't understand is this.
> Say I have a project with 2 tracks. I move to the first track, press
> ctrl+alt+v and than verify with ctrl+l that the volume envelope is
> indeed active.
> Next I move to the second track and press ctrl+alt+p to make the pan
> envelope visible. This works as well, but I can't understand why
> ctrl+l always switches between the volume and pan envelopes regardless
> of the currently focused track. I thought that it would only give me
> the volume envelope when the first track has focus and only the pan
> envelope when the second track has focus. So, does ctrl+l switch
> between envelopes across all tracks or am I going about this all
> wrong?
> My second question is, how well do envelopes work with the new
> focusable master track (switching, toggling and so on)? Does it
> already behave like any other track when it has focus using Osara or
> does further 'envelope support' have to be added? Also would it be
> useful if the master track responded to the Track: View Envelopes for
> Current Track action or is this irrelevant in case of the master
> track?
> I would file an issue On Github, but first I have to understand how
> envelopes work. Or maybe someone who frequently uses them could do it
> instead. Just a thought.
> Thanks in advance.
> Matej
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