[Rwp] OSARA, an open-source ReaAccess replacement in development

Chris Belle cb1963 at sbcglobal.net
Wed Feb 4 17:46:34 EST 2015


Ah crap, that's why I never got the console to work with reaccess.

And there's no handy by-pass key either right?

Well, since reaper is my play around daw, and not my bread and butter, I 
can afford to experiment and just have Jamie's tool installed.

I realize the position you are in,
I'd be crying big tears if someone took sonar away from me 'grin'.

Oh well, onward and upward.

On 2/4/2015 1:30 PM, Scott Chesworth via RWP wrote:
> Believe it or not, those 0.01 DB steps for increasing and decreasing
> volume are hard coded, so not something Jamie can change. Boo!
>
> One alternative is ReaConsole, which is part of the SWS extention.
> It's worth having SWS installed just for this tool IMO.
>
> A very quick guide to how it works:
> Hit the C key to activate the console. If you're using ReaAccess,
> you'll need to reassign either this command or something to do with
> tempo markers to clear up a conflict, but with OSARA, you should be in
> business straight away.
>
> To change the volume on a track, make sure it's the most recent track
> you've touched, hit c to get into the console, then type a lowercase v
> directly followed by the number of DB you'd like to increase or
> decrease the volume by. So, v2 will increase the volume by 2 DB. v-7.5
> will decrease the volume by 7.5 Db.
> I mentioned the lower case v because if the V is uppercase, that sets
> the track to a specific level. For anyone who isn't following me,
> let's say we've used ReaConsole to drop our track volume down to -15
> DB. Now, v0 (with the v being lowercase) would leave the volume
> exactly where it is, but V0 (with the V being uppercase) will set the
> volume back to exactly 0 DB. One more example would be that on our
> track which is currently at -15 DB, v3 (with the v being lowercase)
> would bump the volume up to -12 DB, but V3 (with the V being
> uppercase) will bump the volume all the way up to +3 DB.
>
> Pan works similarly. On a track that starts out panned central, p25
> (lowercase p) will pan 25% right. If you did p-25 (lowercase p),
> that'd get you back to central, because negative numbers pan to the
> left, positive numbers pan to the right.
> The same trick with uppercase letters applies to pan as well. So P-100
> (with an uppercase P) will pan that track 100% over to the left,
> irrespective of what it was set to before you typed that command.
>
> You'll need to press escape when you're done to get back out of
> ReaConsole. There's a setting or command that changes this behaviour
> and closes the console window automatically, but I'm not in front of
> Reaper right now and can't for the life of me remember how it's done.
>
> It's easier to grasp than it sounds, believe me, I'm absolutely
> rubbish at command line stuff, but this sank in fairly quickly. There
> are plenty of other commands too, and when you get the hang of using
> the wildcard and having good track naming conventions, this thing
> comes to life. It's ended up being quicker than using that tab thingy
> here anyway.
>
> For anyone who's interested, there's more explanation to be found here:
> http://www.standingwaterstudios.com/reaconsole.php
>
> Hope this helps somebody.
>
> Scott
>
>
> On 2/4/15, Jim Snowbarger via RWP <rwp at bluegrasspals.com> wrote:
>> I do use that tab key thing, for volume and pan, as Patrick mentioned, to
>> check on those settings, or because you can change them so much more quickly
>> there.  Alt up and down arrow is painfully slow, going in 0.1DB steps.  And,
>> that tab interface is the only way I know to just get with it, and jump to a
>> radically different new setting.
>> The rest of it I don't use.
>>
>>
>> -----Original Message-----
>> From: RWP [mailto:rwp-bounces at bluegrasspals.com] On Behalf Of Patrick Perdue
>> via RWP
>> Sent: Wednesday, February 04, 2015 7:18 AM
>> To: Reapers Without Peepers
>> Subject: Re: [Rwp] OSARA, an open-source ReaAccess replacement in
>> development
>>
>> I use the tab thingy a lot, mostly just to adjust track volume/pan, or to
>> look at where it is without changing it. If everything else in that
>> disappeared, I don't think I would miss it too much, but I do like having
>> those there.
>>
>>> On Feb 4, 2015, at 7:49 AM, Scott Chesworth via RWP
>>> <rwp at bluegrasspals.com> wrote:
>>>
>>> One thing to keep in mind is that the approach CakeTalking and JSonar
>>> both use loosely represents Sonars GUI. Bringing the same layout over
>>> to Reaper could probably be done, but it'd mean we were using a
>>> totally different layout to anyone who's using Reaper without a screen
>>> reader. I wouldn't be keen on this, mostly because there are people
>>> out there who use magnification alongside their screen reader, and
>>> they wouldn't know whether they were coming or going.
>>>
>>> On a vaguely related note, does anyone here make heavy use of that
>>> virtual view thingy you get when you press tab with a track or item
>>> selected? Personally I haven't ever seen the point of it, but I've
>>> never been sure whether that's because I'm being reluctant to use an
>>> alternative interface.
>>>
>>> On 2/4/15, Jayson Smith via RWP <rwp at bluegrasspals.com> wrote:
>>>> You won't get any argument from me on those points. Not to mention
>>>> that CakeTalking requires probably the most expensive screen reader
>>>> on the market, and unless something recent has happened, hasn't been
>>>> updated in a while, because of major changes made to Sonar itself.
>>>> However, for my DAW, that is what I use, but I always welcome
>>>> alternatives. When Reaper and ReaAccess first came on the scene, I
>>>> played with it, but really couldn't get into it. Hopefully that will
>>>> change.
>>>> Jayson
>>>>
>>>> On 2/4/2015 7:13 AM, Hrvoje Katić via RWP wrote:
>>>>> Yep, but CakeTalking costs too much as well as Sonar. Reaper is far
>>>>> more cheap and accessibility solution is freeware.
>>>>>
>>>>>
>>>>>
>>>>> LP,
>>>>> Hrvoje
>>>>>
>>>>> Private email: hrvoje.katic at yandex.com
>>>>> <mailto:hrvoje.katic at yandex.com>
>>>>>
>>>>> Web site: Click here <http://hrvix.wordpress.com/>
>>>>>
>>>>> Facebook: Click here <http://www.facebook.com/hrvix>
>>>>>
>>>>> Twitter: Click here <http://www.twitter.com/hrvix>
>>>>>
>>>>> Skype Id: hrvojekatic
>>>>>
>>>>> Mobile: 095/585-7034
>>>>>
>>>>> 4.2.2015. u 13:04, Jayson Smith via RWP je napisao/la:
>>>>>> Hi,
>>>>>>
>>>>>> I, too, would be in favor of single-key commands for the most
>>>>>> common actions. Cake Talking for Sonar, which is for me the gold
>>>>>> standard of DAW accessibility, uses single-key commands for the
>>>>>> most common actions. Mute, solo, arm, etc. And it has a standard
>>>>>> view where you use up/down to move between tracks, and left/right
>>>>>> to move between parameters on a track such as name, mute, solo, arm,
>>>>>> volume, pan, etc.
>>>>>>
>>>>>> Jayson
>>>>>>
>>>>>> On 2/4/2015 3:37 AM, Hrvoje Katić via RWP wrote:
>>>>>>> Well, personally I don't like default Reaper keymap. Some
>>>>>>> important actions are not assigned to any keystroke by default
>>>>>>> (move by beats and bars is a good example), and you have to hold
>>>>>>> control and alt while navigating tracks with up and down arrow,
>>>>>>> and also
>>>>>>> control+alt+arrow keys have a conflict with some graphics drivers
>>>>>>> where these keystrokes are assigned to rotate screen.
>>>>>>>
>>>>>>>
>>>>>>> LP,
>>>>>>> Hrvoje
>>>>>>>
>>>>>>> Private email: hrvoje.katic at yandex.com
>>>>>>> <mailto:hrvoje.katic at yandex.com>
>>>>>>>
>>>>>>> Web site: Click here <http://hrvix.wordpress.com/>
>>>>>>>
>>>>>>> Facebook: Click here <http://www.facebook.com/hrvix>
>>>>>>>
>>>>>>> Twitter: Click here <http://www.twitter.com/hrvix>
>>>>>>>
>>>>>>> Skype Id: hrvojekatic
>>>>>>>
>>>>>>> Mobile: 095/585-7034
>>>>>>>
>>>>>>> 4.2.2015. u 0:44, Zack Benton via RWP je napisao/la:
>>>>>>>> Agreed, I admit that the re access keymap is a bit harder to learn.
>>>>>>>> On 2/3/2015 18:16, James Teh via RWP wrote:
>>>>>>>>> Anyway, I didn't mean to start a debate on what is "best";
>>>>>>>>> everyone has their preferences. My point is that if even I (as
>>>>>>>>> the primary author) am using something different to the
>>>>>>>>> ReaAccess key map, I'd be very reluctant to include a ReaAccess
>>>>>>>>> based key map as the default. At the very least, that key map is
>>>>>>>>> harder to learn initially. This is why I haven't included a key
>>>>>>>>> map at all at this point. Perhaps we could include a ReaAccess
>>>>>>>>> key map as an option, but I'm reluctant to make it a "default".
>>>>>>>>>
>>>>>>>>> Jamie
>>>>>>>>>
>>>>>>>>> On 4/02/2015 7:19 AM, Scott Chesworth via RWP wrote:
>>>>>>>>>> I have alien length fingers, so this might not work for
>>>>>>>>>> everyone, but I've found non-separated F keys a lot easier
>>>>>>>>>> since I started treating them as an extra row rather than
>>>>>>>>>> counting along them. The experience is a little different from
>>>>>>>>>> laptop to laptop, but with a wee bit of practice to get the
>>>>>>>>>> muscle memory locked in I can comfortably hit mute, solo, arm,
>>>>>>>>>> phase etc without leaving the touch typing position or
>>>>>>>>>> counting. This is coming from someone who fought pretty hard
>>>>>>>>>> against those keys being used for those functions in the first
>>>>>>>>>> place, so I guess you could say I'm converted now.
>>>>>>>>>>
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