[RWP] Adrenalinn guitar pedal's sounds

Tue Sep 17 08:53:54 EDT 2013

Hey, if you want to sell those Classic Vibes pickups to me; when you 
change them out for the Seymour Duncans, please let me know, okay?
Indi

On 9/16/2013 6:19 PM, Colin McDonald wrote:
> yep, the clasic vibe '50's telly was my first choice, but all the local
> stores were sold out, and I won't buy a guitar without playing it first.
> The classic vibe custom telly was a real close second, and I actually
> liked it a bit more with the rosewood fingerboard...I know, I know,
> tellies should be maple, but just the combinations of woods makes this
> one sound incredibly telly like.
> anyway, this isn't the blind guitarist list hahaha.
>
> regards
> Colin
> --------------------------------------------------
> From: "Indigo" <33indigo at charter.net>
> Sent: Monday, September 16, 2013 3:55 PM
> To: "Reapers Without Peepers" <rwp at reaaccess.com>
> Subject: Re: [RWP] Adrenalinn guitar pedal's sounds
>
>> When I heard YouTube demos of the Classic Vibe 50's and 60's, I said I
>> gotta have those pickups, which are classic alnico III or alnico 5's
>> staggered single poles; and copied exactly from the ones Strats had in
>> the fifties or sixties, only with vinyl insulated wires instead of
>> cloth covered.
>> I bought the Classic Vibes fifties neck position pickup new, genuine
>> Fender part with serial number, for $20 on ebay
>> It's sitting in the neck position on my Squire Mini right now, and
>> sounds great.
>> I'm going to order the others later, the middle and bridge of the
>> Classic Vibes fifties and sixties; too good to miss for such low
>> prices, and the next thing you know they won't be available any more.
>> They're not over Wound or hot, just soft and sweet!
>> I really don't get why alnico should sound so good, magnets are
>> magnets, and I can't believe the material could put out a different
>> sort of magnetism, but the alnicos sure do sound sweeter.
>> On the other hand, I think the Squire HH humbuckers are ceramic, and
>> it's so easy to get a classic fat Gibson sound from them.
>> Indi
>>
>>
>> On 9/16/2013 5:32 PM, Colin McDonald wrote:
>>> squier's have gotten really good again.  I've got the classic vibe
>>> custom telecaster and it's a very very good guitar in all aspects.
>>> Putting seymour duncan vintage 54's on it soon because that is my
>>> preference not because the stock pickups are bad.
>>>
>>> I'll try out the squier HH next time i'm in the guitar shop.
>>>
>>> regards
>>> Colin
>>> --------------------------------------------------
>>> From: "Indigo" <33indigo at charter.net>
>>> Sent: Monday, September 16, 2013 3:16 PM
>>> To: "Reapers Without Peepers" <rwp at reaaccess.com>
>>> Subject: Re: [RWP] Adrenalinn guitar pedal's sounds
>>>
>>>> I read that Gibson is sneaking partial printed circuit boards into
>>>> their guitars.
>>>> Strats and Squires are still hand-wired circuits, though parts like
>>>> the China 5 way switch looks like something you'd find on a printed
>>>> circuit board.
>>>> Sometimes it's just luck.
>>>> I just got the Squire HH, with two Fender-made humbuckers, and a 3
>>>> position switch.
>>>> Man does it sound like a big fat Les Paul Gibson, and not much like a
>>>> Strat, but what a winner for $99.95.
>>>> Made in Indonesia, with a perfect neck, perfect intonation, low lying
>>>> action, nothing I need to do with setup to make it better.
>>>> I believe the body cavity is even painted with conductive shielding
>>>> paint, because there's a grounding wire screwed into the wood at the
>>>> bottom of the cavity.
>>>> It's dead quiet, no hum at all, even before I got the Zoom G2.1U
>>>> grounded.
>>>> I'll replace the stock tuners sometime, probably get better saddles,
>>>> probably a steel trem block instead of the potMetal one, but those are
>>>> just niceties, not essentials.
>>>> Some people report crooked necks, setup all wrong, crooked screws.
>>>> The first Peavey Power Slide I got; Handcrafted in China, had no
>>>> springs on the pickup, so if you tilted the guitar the pickup fell
>>>> toward the strings, then when you tilted the guitar  the other way the
>>>> pickup fell to the bottom of the body cavity.
>>>> Whoever strung it up had sharp kinks in the middle of most of the
>>>> strings.
>>>> I could have found springs for the pickup somewhere, but I called
>>>> Peavey and they said to send it back, not to fix it.
>>>> The next one was totally perfect, no flaws I can find.
>>>> I guess the factory terminated the worker who made the first one and
>>>> recycled him.
>>>> Indi
>>>>
>>>>
>>>>
>>>>
>>>> On 9/16/2013 3:34 PM, Colin McDonald wrote:
>>>>> yep, that's how they're making them and have been for quite some time.
>>>>> if you read any amp forum, especially fender amp forums, one of the
>>>>> first recommended mods is to install a proper input jack on the
>>>>> amp...one that has lots of metal in it, and that you can hard wire to
>>>>> the PCB instead of the stock plastic version that has pcb lugs
>>>>> soldered
>>>>> directly to the board.
>>>>> Input or output jack nuts are constantly coming loose with regular
>>>>> use,
>>>>> and so once that nut has loosened off a bit, all the strain from your
>>>>> patch cable is put onto the solder lugs of the jack, and thus onto the
>>>>> pcb itself. This either snaps off lugs, breaks solder joints, or,
>>>>> cracks
>>>>> traces on the board...stupid design, but a buck cheaper for the
>>>>> manufacturer.
>>>>> that's why I always run my cable through the handle on the amp for
>>>>> strain relief.
>>>>> I've got an older dunlop crybaby wah which is supposed to be high
>>>>> quality construction.  I opened up to fix, and both jacks are plastic
>>>>> housed and have spring pins for the ground contact on the sleve of the
>>>>> quarter inch plug...what happens with spring contacts?  they either
>>>>> bend, or loose their spring over time and fail to make contact.  guess
>>>>> why the pedal isn't working right now? lol  and the worst part is, the
>>>>> way they designed the pedal, you have to use these specific jacks
>>>>> because of their housing and how the shell of the pedal is built.
>>>>> the common quarter inch phone jack is a very old design and the
>>>>> industry
>>>>> and consumers I guess, are still willing to put up with the inherent
>>>>> problems associated with those kinds of connections.
>>>>> not only are you depending on a compression spring contact, but it
>>>>> moves
>>>>> and twists all the time.  neutric, speak on, even xlr is far better.
>>>>> and don't even get me started on gold plating lol.
>>>>>
>>>>> regards
>>>>> Colin
>>>>> --------------------------------------------------
>>>>> From: "Indigo" <33indigo at charter.net>
>>>>> Sent: Monday, September 16, 2013 12:45 PM
>>>>> To: "Reapers Without Peepers" <rwp at reaaccess.com>
>>>>> Subject: Re: [RWP] Adrenalinn guitar pedal's sounds
>>>>>
>>>>>> You know, something bothers me about what you say about inputs and
>>>>>> outputs having plastic threads.
>>>>>> For a jack to work you need at least two conduction points, 1 for the
>>>>>> sleeve of the plug and another 1 for its tip.
>>>>>> Please don't say that China is making all plastic jacks, with only a
>>>>>> tinfoil thick metal liner inside the plastic shell?
>>>>>> Oh Lord, what next; are they going to make our gear entirely from
>>>>>> rice
>>>>>> flour noodles?
>>>>>> The China pickguard I just bought has a 5 way toggle switch that
>>>>>> feels
>>>>>> about the same from the topside as the classic Fender switch, but
>>>>>> underneath the pickguard you find the switch is only a little
>>>>>> rectangle made of fiberboard, with tiny solder lugs and switch
>>>>>> contact
>>>>>> points riveted to the fiberboard.
>>>>>> I was replacing the neck pickup, and placed the tip of the soldering
>>>>>> gun against the corner lug, with light pressure, and suddenly the lug
>>>>>> and a chunk of the fiberboard split off.
>>>>>> So great to watch how it all is getting flimsier and flimsier; isn't
>>>>>> it?
>>>>>> Luckily I have a classic-era  Fender 5 way switch to replace it with,
>>>>>> an all metal thing with big sturdy solder lugs and switch contacts
>>>>>> inside it.
>>>>>> By the way, if you're an experimenter, you can make an auditory
>>>>>> conductivity meter from a small battery holder, preferably a single
>>>>>> triple A battery, wired in series with any old single headphone
>>>>>> salvaged from a pair of stereo headphones that quit working on one
>>>>>> side.
>>>>>> You end up with 2 wires.
>>>>>> If there is conduction between any 2 lugs you touch with those 2
>>>>>> wires; you hear a nice loud click in the headphone.
>>>>>> You can use a battery that's too weak to run any gear, and it'll have
>>>>>> plenty of voltage to make the headphone click for months and months.
>>>>>> Indi
>>>>>>
>>>>>>
>>>>>>
>>>>>>
>>>>>> On 9/16/2013 12:00 PM, Colin McDonald wrote:
>>>>>>> you got lucky, many pedals and multi-effects units these days have
>>>>>>> plastic shell input/output jacks.  Which means that though they may
>>>>>>> have
>>>>>>> a metal nut on the outside, it's holding a plastic housing around
>>>>>>> the
>>>>>>> jack.
>>>>>>> IE, no ground path through the retention nut.
>>>>>>> You often have to go inside and solder or secure a lug to the metal
>>>>>>> plate that generally resides on the bottom of these units to give
>>>>>>> them
>>>>>>> weight.
>>>>>>> Even the hallowed boss pedals use a big old plate on the bottom
>>>>>>> of the
>>>>>>> pedal to give it some weight and make people think it's a higher
>>>>>>> quality
>>>>>>> unit because it's heavier...it's also done to help keep the pedal
>>>>>>> from
>>>>>>> sliding around all over the place.
>>>>>>> you also got lucky because putting an additional wire from a unit
>>>>>>> to the
>>>>>>> other equipment in your signal path can often create ground loops
>>>>>>> which
>>>>>>> causes a bigger problem than before.
>>>>>>> don't forget, your patch cables do all the grounding for you at
>>>>>>> least on
>>>>>>> the audio signal path side.
>>>>>>> wall warts have no ground to speak of beyond the obvious one at the
>>>>>>> ground side of the 2 prong plug into the wall.
>>>>>>> What you were actually experiencing was a high level of AC
>>>>>>> floating on
>>>>>>> the DC coming from the wallwart to your pedal.  wallwarts are seldom
>>>>>>> properly rectified, so they have allot of AC bleeding through which
>>>>>>> causes the hum you hear.
>>>>>>> that is why allot of pro audio gear uses AC to the equipment, and
>>>>>>> takes
>>>>>>> care of the rectification and filtering inside the unit itself.
>>>>>>> what you've essentially done is allowed for some rectification on
>>>>>>> the dc
>>>>>>> and you are bleeding the ac off into a large ground source, IE the
>>>>>>> rack...the rack probably has something in it that has excellent
>>>>>>> rectification and a good solid ground source to bleed additional AC
>>>>>>> out
>>>>>>> of the circuit.
>>>>>>> anyway, regardless, sounds like it worked.
>>>>>>> anyone who runs 9VDC equipment in the studio should have a proper
>>>>>>> power
>>>>>>> supply to help minimize hum and so on.
>>>>>>>
>>>>>>> regards
>>>>>>> Colin
>>>>>>> --------------------------------------------------
>>>>>>> From: "Indigo" <33indigo at charter.net>
>>>>>>> Sent: Monday, September 16, 2013 4:11 AM
>>>>>>> To: "Reapers Without Peepers" <rwp at reaaccess.com>
>>>>>>> Subject: Re: [RWP] Adrenalinn guitar pedal's sounds
>>>>>>>
>>>>>>>> I'm not too skilled on either, but I'd rather play midi files
>>>>>>>> from a
>>>>>>>> keyboard than from a guitar.
>>>>>>>> I only want midi pads to make guitar tracks more lush; and do what
>>>>>>>> only synths can do in the background.
>>>>>>>> Yesterday I put a ground wire on my Zoom G2.1U, did a neat job
>>>>>>>> with a
>>>>>>>> solder lug under the nut on the pedal jack in back' with a wire
>>>>>>>> going
>>>>>>>> up to the steel and aluminum rack; where all the gear resides,
>>>>>>>> which
>>>>>>>> seems to have soaked up all the stray RF fields in this room; so
>>>>>>>> hum
>>>>>>>> is no longer a problem.
>>>>>>>> The little 9 volt wall wart transformer for the Zoom pedal was not
>>>>>>>> internally well grounded, so that I would hear hum and buzz when on
>>>>>>>> very high gain overdrive settings, but could touch the metal
>>>>>>>> cover of
>>>>>>>> the cable's plug; or touch the metal foot switches on the Zoom and
>>>>>>>> all
>>>>>>>> the hum and buzz would go away.
>>>>>>>> Amazing what a good ground our body provides!
>>>>>>>> I can only imagine how many different RF frequencies are buzzing
>>>>>>>> through my body right now, and I don't even feel them.
>>>>>>>> So, now that it's properly grounded; the Zoom is good enough as a
>>>>>>>> multi-effects unit and preamp for the guitar, then I got the plug
>>>>>>>> version of Roger Linn's Adrenalinn to run in Reaper.
>>>>>>>> Adrenalinn does pretty things to guitar notes and chords, like
>>>>>>>> delays
>>>>>>>> that go through 32 step arpeggios that are way more sophisticated
>>>>>>>> than
>>>>>>>> the usual keyboard arpeggios.
>>>>>>>> You aren't intended to play fast lines; instead you just play
>>>>>>>> slowly
>>>>>>>> and provide room  for Adrenalinn to do its arpeggios and filter
>>>>>>>> modulations.
>>>>>>>> Meanwhile, if I can get a software pitch-to-midi plug to bring in
>>>>>>>> lush
>>>>>>>> midi pads, behind the guitar; the tracks will be filled with
>>>>>>>> plenty of
>>>>>>>> beautiful sounds.
>>>>>>>> If I want a quick passage on a midi synth, I'd be inclined to just
>>>>>>>> reach for a keyboard and play it there; so tracking from the guitar
>>>>>>>> doesn't need to be fast, and doesn't even need to be polyphonic;
>>>>>>>> but
>>>>>>>> does need to be accurate to trigger midi pads in the right key.
>>>>>>>> Several of the software pitch-to-midi plugs I've collected have the
>>>>>>>> option to restrict the midi output to a fixed scale, so it's
>>>>>>>> theoretically impossible to get notes that glitch out of key.
>>>>>>>> I've just got to find time to test out the various pitch-to-midi
>>>>>>>> plugs.
>>>>>>>> IntelliScore has been around for ages, used to transcribe a
>>>>>>>> polyphonic
>>>>>>>> audio track for printing out the score, but also outputs midi.
>>>>>>>> I have a couple more similar composing and scoring plugs, all
>>>>>>>> allow
>>>>>>>> you to limit the scale of the midi they output.
>>>>>>>> Waves Tune, Antares Autotune; all track audio notes much better if
>>>>>>>> told in advance what the intended scale is.
>>>>>>>> The pitch to midi plugs don't need a special pickup in the guitar,
>>>>>>>> and
>>>>>>>> cost about $59 USD to $89 USD, nothing compared to the Roland GR55.
>>>>>>>>
>>>>>>>> On 9/16/2013 12:35 AM, TheOreoMonster wrote:
>>>>>>>>> I haven't played the GT100 but the GT10 still sounded very
>>>>>>>>> digital to
>>>>>>>>> my ears. Nothing wrong with that as i don't mind it for modulation
>>>>>>>>> and delays personally, but the distortions left me still feeling
>>>>>>>>> cold. THe new BOSS DA2 TE2 and MO2 may be up indie's alley though.
>>>>>>>>>
>>>>>>>>> Collin is the other guitarist in your band blind?  The thing that
>>>>>>>>> concerned me about the GR55 was no computer control software
>>>>>>>>> just a
>>>>>>>>> libraian editor, the control software for the VG 88 seemed
>>>>>>>>> accessible enough as i installed it to take aloof at it, but i did
>>>>>>>>> this without connecting a VG88. Things that worry me about them
>>>>>>>>> was
>>>>>>>>> doing the initial set up where you calibrated it for each string.
>>>>>>>>> Didn't know if that would be accessible. Also installing the GK3
>>>>>>>>> pickup. even without the permanent install, how easy was it to
>>>>>>>>> get it
>>>>>>>>> to pick up all strings evenly? I read some horror stories where
>>>>>>>>> even
>>>>>>>>> experienced techs won't install the things anymore cuz they could
>>>>>>>>> never the the two highest strings to track properly.The plus of
>>>>>>>>> the
>>>>>>>>> GR55 over the VG88 is the GR55 is cheaper and already in foot
>>>>>>>>> pedal
>>>>>>>>> format. The VG88 however has two signal paths for the guitar
>>>>>>>>> modeling
>>>>>>>>> , where as the GR55 focus more on the synth sounds and only has
>>>>>>>>> one
>>>>>>>>> path for the guitar modeling.
>>>>>>>>> On Sep 13, 2013, at 8:46 AM, Indigo <33indigo at charter.net> wrote:
>>>>>>>>>
>>>>>>>>>> I agree about the sounds of Roland gear, plenty fat.
>>>>>>>>>> I'm not just looking for the usual electric guitar sound, though.
>>>>>>>>>> I'm more interested in unusual stringed instrument sounds;
>>>>>>>>>> between
>>>>>>>>>> straight electric guitar and midi synth sounds.
>>>>>>>>>> Synths can supposedly make any sound, but there is so much
>>>>>>>>>> going on
>>>>>>>>>> inside a tightly stretched steel string you can get so many
>>>>>>>>>> really
>>>>>>>>>> beautiful sounds from within there.
>>>>>>>>>> For the usual shredding sounds;I already have Guitar Rig and all
>>>>>>>>>> those modeling plugs.
>>>>>>>>>> I own the amazing synth Alchemy, where you can take electric
>>>>>>>>>> guitar
>>>>>>>>>> samples and stick them in Alchemy's folders, so that Alchemy
>>>>>>>>>> creates
>>>>>>>>>> fantasy stringed instruments from them, but you know; instead of
>>>>>>>>>> just triggering stringed instrument sounds by pressing keys;
>>>>>>>>>> it's
>>>>>>>>>> way more satisfying to directly pick, pluck, dampen, hammer,
>>>>>>>>>> actual
>>>>>>>>>> strings to get an infinity of interesting sounds from them.
>>>>>>>>>> One thing I've been meaning to do is to feed electric guitar
>>>>>>>>>> through
>>>>>>>>>> Native Instruments Absynth 5, which has an audio input.
>>>>>>>>>> You can apply any of Absynth 5's arpeggiators, filters,
>>>>>>>>>> whatever to
>>>>>>>>>> the guitar.
>>>>>>>>>> Sometimes I just dread encountering yet another VST where I can't
>>>>>>>>>> get hold of  not just parameters, but graphical screen icons that
>>>>>>>>>> let you navigate to features.
>>>>>>>>>> Since I got the $99 Novation Nocturn and AutoMap; I get  all
>>>>>>>>>> automatable parameters from VST plugs, so all I need to do is to
>>>>>>>>>> rotate 8 knobs or push 8 buttons on the Nocturn box, and sounds
>>>>>>>>>> certainly change, but that's only part of real access to a plug.
>>>>>>>>>> To get at menus, lists, preset browsers, switches that turn
>>>>>>>>>> arpeggiation on and off, and other such things, it still requires
>>>>>>>>>> people like Steve Spamer to dig into the plug's interface and
>>>>>>>>>> provide scripts.
>>>>>>>>>> Or, I just content myself with partial access, twist Nocturn's
>>>>>>>>>> knobs
>>>>>>>>>> and enjoy the sounds; and don't worry about what I can't get at.
>>>>>>>>>> Indi
>>>>>>>>>>
>>>>>>>>>>
>>>>>>>>>>
>>>>>>>>>>
>>>>>>>>>>
>>>>>>>>>>
>>>>>>>>>>
>>>>>>>>>>
>>>>>>>>>> On 9/12/2013 1:25 PM, Monkey Pusher wrote:
>>>>>>>>>>> To my ears the boss stuff always sounded too digital. Honestly
>>>>>>>>>>> more
>>>>>>>>>>> nterested in the roland stuff since it has alternate tuning
>>>>>>>>>>> functionality. Also think the Roland GR55 may be closer to
>>>>>>>>>>> what u
>>>>>>>>>>> want
>>>>>>>>>>> with the Adrenalinn
>>>>>>>>>>>
>>>>>>>>>>> On 9/11/13, Indigo <33indigo at charter.net> wrote:
>>>>>>>>>>>> I just listened to a YouTube on navigating around the Roland
>>>>>>>>>>>> GT100, and
>>>>>>>>>>>> it did seem that it should be accessible.
>>>>>>>>>>>> It has no menus, but has page keys, and you just move things
>>>>>>>>>>>> from 1
>>>>>>>>>>>> screen to the other.
>>>>>>>>>>>> I didn't memorize the navigation, so can't explain it in
>>>>>>>>>>>> detail,
>>>>>>>>>>>> but the
>>>>>>>>>>>> reviewer thought it is super easy.
>>>>>>>>>>>> It's loaded with features, including USB to computer, plus an
>>>>>>>>>>>> auxiliary
>>>>>>>>>>>>    out and in so you can add sounds from an external source.
>>>>>>>>>>>> What it doesn't seem to have is the sounds of the AdrenaLinn
>>>>>>>>>>>> pedal,
>>>>>>>>>>>> which I love.
>>>>>>>>>>>> Indi
>>>>>>>>>>>>
>>>>>>>>>>>>
>>>>>>>>>>>> On 9/11/2013 7:22 PM, TheOreoMonster wrote:
>>>>>>>>>>>>> Hey Collin, Can you contact me off list/would you be up for a
>>>>>>>>>>>>> Skype chat?
>>>>>>>>>>>>> been very interested in the Roland  GR55/VG88 stuff and the
>>>>>>>>>>>>> Boss
>>>>>>>>>>>>> stuff
>>>>>>>>>>>>> mentioned but they didn't seem accessible on the surface
>>>>>>>>>>>>> Would
>>>>>>>>>>>>> love to
>>>>>>>>>>>>> know  more about what you know about the stuff
>>>>>>>>>>>>>
>>>>>>>>>>>>> Thanks,
>>>>>>>>>>>>> On Sep 11, 2013, at 1:31 PM, "Colin McDonald"
>>>>>>>>>>>>> <blulemon at telus.net> wrote:
>>>>>>>>>>>>>
>>>>>>>>>>>>>> go a few hundred bucks more and pick up the roland gr-55
>>>>>>>>>>>>>> guitar
>>>>>>>>>>>>>> synth.
>>>>>>>>>>>>>> it does allot more and is fairly accessible.
>>>>>>>>>>>>>> or, for around the same price as the roger linn, go with the
>>>>>>>>>>>>>> roland/boss
>>>>>>>>>>>>>> gt100 which has all the harmonizer stuff in it along with a
>>>>>>>>>>>>>> tonne of amp
>>>>>>>>>>>>>> and cab and even mike models to choose from.  again, very
>>>>>>>>>>>>>> accessible to
>>>>>>>>>>>>>> use.
>>>>>>>>>>>>>> the gr-55 is an excellent studio tool for guitarists.  with
>>>>>>>>>>>>>> many
>>>>>>>>>>>>>> amp
>>>>>>>>>>>>>> models, cab models, mike models, mike placement options,
>>>>>>>>>>>>>> along
>>>>>>>>>>>>>> with all
>>>>>>>>>>>>>> the best roland synth models on board.  Yes, you do have
>>>>>>>>>>>>>> to put
>>>>>>>>>>>>>> the gk-3
>>>>>>>>>>>>>> pickup on your guitar, but that is a no brainer
>>>>>>>>>>>>>> excersize...it's
>>>>>>>>>>>>>> seriously powerful.
>>>>>>>>>>>>>> but, if your budget is around that 400 dollar range, the
>>>>>>>>>>>>>> gt10,
>>>>>>>>>>>>>> or gt100
>>>>>>>>>>>>>> will fit the bill nicely with everything the roger linn has
>>>>>>>>>>>>>> and far
>>>>>>>>>>>>>> more.
>>>>>>>>>>>>>> perhaps not quite the same level of drum options though,
>>>>>>>>>>>>>> so if
>>>>>>>>>>>>>> that's
>>>>>>>>>>>>>> what you are after, then it might not be quite what you need.
>>>>>>>>>>>>>> the boss
>>>>>>>>>>>>>> stuff is for guitarists more than anything.  but there is
>>>>>>>>>>>>>> capability of
>>>>>>>>>>>>>> loading drums tracks on to the thing.
>>>>>>>>>>>>>> regards
>>>>>>>>>>>>>> Colin
>>>>>>>>>>>>>> --------------------------------------------------
>>>>>>>>>>>>>> From: "Indigo" <33indigo at charter.net>
>>>>>>>>>>>>>> Sent: Wednesday, September 11, 2013 11:05 AM
>>>>>>>>>>>>>> To: "Reapers Without Peepers" <rwp at reaaccess.com>
>>>>>>>>>>>>>> Subject: [RWP] Adrenalinn guitar pedal's sounds
>>>>>>>>>>>>>>
>>>>>>>>>>>>>>> Actually, Roger Linn intended this thing for electric
>>>>>>>>>>>>>>> guitar,
>>>>>>>>>>>>>>> bass, midi
>>>>>>>>>>>>>>> synth, and I'd run vocals through it, why not?
>>>>>>>>>>>>>>> Here's an Adrenalinn 3 demo from JamShop, Sweden, then below
>>>>>>>>>>>>>>> that is
>>>>>>>>>>>>>>> somebody having fun with modulation effects, and below that
>>>>>>>>>>>>>>> is my
>>>>>>>>>>>>>>> favorite, Lots of sound examples--hits and demos--of
>>>>>>>>>>>>>>> AdrenaLinn
>>>>>>>>>>>>>>> III.
>>>>>>>>>>>>>>> You get many of those arpeggios in the presets.
>>>>>>>>>>>>>>> This thing is as much synthesizer as guitar processor, and I
>>>>>>>>>>>>>>> doubt
>>>>>>>>>>>>>>> anyone could ever run to the end of all it can do.
>>>>>>>>>>>>>>>
>>>>>>>>>>>>>>> http://www.youtube.com/watch?v=d3hlgUIVxdY
>>>>>>>>>>>>>>>
>>>>>>>>>>>>>>> http://www.youtube.com/watch?v=eSy66E-VyOE
>>>>>>>>>>>>>>>
>>>>>>>>>>>>>>> http://www.youtube.com/watch?v=OfBDmw2H2Hw
>>>>>>>>>>>>>>>
>>>>>>>>>>>>>>> _______________________________________________
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>>>>>>>>>>>>>>
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