[RWP] ReaAccess Question.

Wed Feb 13 09:53:10 EST 2013

Totally in agreement here.
I have Atmosphere, don't have cash for Omnisphere now, but it will come 
eventually.
Obviously, Kontakt is the key to everything; if there's not a Kontakt 
library for it now it'll be out tomorrow.
  Native Instruments has always had the most stunning sounds, along with 
Spectrasonics.

You might want to at least try the 20 minute demo of Tone Two's RayBlaster.
It's totally clear, no aliasing from sub sonic to way up high, and its 
single cycle wave files give it detail no other synth method achieves.

I wish I had the cash to blow on NI's Mashine.
The YouTube demos of it are so appealing, but it's half hardware, half 
software, and no demo versions.
The German guy who demos it actually says he can run it with his eyes 
closed, which I hear, but he did it thousands of times looking at the 
screen, so now he doesn't need to look any more.
As you know, that's an entirely different story from not being able to 
understand the screens in the first place by looking at them.
Patrick Perdue runs Sound Forge with speech off, because he's run it so 
many times he now has muscle memory for all its actions.

On 2/13/2013 8:22 AM, Steve Spamer wrote:
> Indi, I'm now getting an idea on what I want to do with the plugs I have.
> Kontakt is top of the list...and I'll probably work on a couple of libraries
> at the same time.  I have absolutely no idea what others want or even if
> they want them, I have to do things firstly to please myself.  Now that
> brings me to Absynth5.  Last night I spotted up the next/previous/mutate
> buttons and went through some of the patches.  To be honest I was
> disappointed.  Absynth has a lot of power/controls and is obviously very
> tweekable, but I already have this with Omnisphere and IMO, it is in another
> league to Absynth5.  Absynth is OK I suppose, not sure how much it is stand
> alone, as I got it with the Complete 8 bundle, but I'd be a bit pissed off
> if I'd bought it like I did Omnisphere.  Omnisphere continues to inspire and
> facinate me, it really is one hell of an amazing synth...and I suppose
> that's why my expectations of absynth collapsed when I went through it.  I
> can't see myself going to far with it unless I'm inendated with requests,
> which is unlikely.  I will however put up the couple of spots for it, along
> with screen coordinates for other screenreader users to take advantage of.
> You said there's no reason to reinvent the wheel, well that's what I'd be
> doing with Absynth if I did go hell for leather with it...then, at the end,
> it still wouldn't touch Omnisphere at all.
>
> BTW, Kontakt I think is the way to go, simply because of the amount of
> libraries you can get for it.  Will be looking at Massive, Reactor etc in
> the next few days.  Kontakts library is fantastic, along with the Abbey Road
> drums, Scarby stuff, bass, keys etc...add on Evolutions guitars...and that's
> a pretty nice set up, cheers Steve.
>
> Visit:
> www.vipaudioaccess.com
> for audio access solutions, articles, demos, to showcase your music and  to
> basically get involved!
> -----Original Message-----
> From: RWP [mailto:rwp-bounces at reaaccess.com] On Behalf Of Indigo
> Sent: 13 February 2013 12:36
> To: Reapers Without Peepers
> Subject: Re: [RWP] ReaAccess Question.
>
> I suppose if I were you I would spot up the most requested first.
> I think there are free scripts for the Cakewalk bundled Dimension Pro and
> Rapture, maybe free scripts for Z3TA also, no use in reinventing the wheel
> for those.
> I never liked the strident sound  of Z3ta, anywayso use it very little.
> Rob Papen's Blue and Predator, which don't need much to get good access;
> Albino and  CronoX,the very sweet Silenth1;  and now Tone Two RayBlaster are
> my favorites.
> Great that you spotted up Absynth 5.
> It goes immeasurably farther than Albino 3 and 4 did, and needs to be
> available to blind musicians.
> Maybe a recent version of Antares AutoTune would be profitable.
> I think the last free scripts were for Autotune 5.
> Melodyne looks to me as if it could be spotted up without much effort, 1
> person is using it already, with a podcast on www.blindcooltech.com and
> others would, if they only could.
> As soon as I get other things out of the way, I think I'll buy your Absynth
> 5 scripts and try them with my Jaws 12 At least I could bring up sounds,
> then switch to Wineyes to work comfortably, if changing from Jaws to Wineyes
> inside Reaper doesn't make it crash smile.
> thanks,
> Indi
>
>
>
>
>
> On 2/12/2013 8:32 AM, Steve Spamer wrote:
>> Indi, they are spotible, but the big difference with these plugs is
>> that nothing is visible on screen...you're working virtually
>> exclusively with colour. So, until I thoroughly evaluate them and
>> learn how to use them properly, I don't know how far one would go to
>> spot it up, we'll see how things go, cheers Steve.
>>
>>
>> Visit:
>> www.vipaudioaccess.com
>> for audio access solutions, articles, demos, to showcase your music
>> and  to basically get involved!
>> -----Original Message-----
>> From: RWP [mailto:rwp-bounces at reaaccess.com] On Behalf Of Indigo
>> Sent: 12 February 2013 12:31
>> To: Reapers Without Peepers
>> Subject: Re: [RWP] ReaAccess Question.
>>
>> I like your taste in plugs, Steve, especially Absynth 5 and Massive.
>> I have those, and also dearly love LinPlug's CronoX, also Silenth1,
>> all amazing synths.
>> FM8 is a monster also, leagues beyond FM7; but I'm sure a formidable
>> job to spot up.
>> Indi
>>
>> On 2/12/2013 7:11 AM, Steve Spamer wrote:
>>> Jim, I'd also be interested to know exactly what the situation is.
>>> On a side point, plug access is ongoing regards to 3rd party plugs
>>> and Reaper with HSC. Currently available are Omnisphere, Trilian and
>>> Stylus RMX.  SFZ and a Kontakt load/reset set are done and will be
>> available in a day or so.
>>> I also have 3 other professional plugs finished and currently being
>> tested.
>>> Comprehensive access to Kontakt 5 is in the pipeline, along with a
>>> range of plugs in the Complete 8 suite of products....like Absynth5,
>>> Massivve, Abbey Road Drums etc etc etc.  Not exactly sure at what
>>> level these will be just yet, but by previous experiences, I'm hoping
>>> pretty high, if not, then at least  a big step forward  to what we
>>> currently have, which is virtually nothing.  All of this will be on
>>> the Sonar and Reaper platforms with HSC and available from the
>>> www.vipaudioaccess.com Website.  HTH, cheers Steve.
>>>
>>>
>>> Visit:
>>> www.vipaudioaccess.com
>>> for audio access solutions, articles, demos, to showcase your music
>>> and  to basically get involved!
>>> -----Original Message-----
>>> From: RWP [mailto:rwp-bounces at reaaccess.com] On Behalf Of Jim
>>> Noseworthy
>>> Sent: 12 February 2013 11:57
>>> To: 'Reapers Without Peepers'
>>> Subject: Re: [RWP] ReaAccess Question.
>>>
>>> Kerry:
>>>
>>> Is there any more work being done by anyone on providing better
>>> accessibility to Reaper?
>>>
>>> Thanks all over the place.
>>>
>>>
>>> -----Original Message-----
>>> From: RWP [mailto:rwp-bounces at reaaccess.com] On Behalf Of Kerry Hoath
>>> Sent: Tuesday, February 12, 2013 7:50 AM
>>> To: Reapers Without Peepers
>>> Subject: Re: [RWP] ReaAccess Question.
>>>
>>>
>>> In a word: no.
>>>
>>> Regards, Kerry.
>>>
>>> On 12/02/2013 7:47 PM, Jim Noseworthy wrote:
>>>> Hi folks:
>>>>
>>>> Beeing out of the loop for a while: are we still expecting V2 of
>>> ReaAccess?
>>>>
>>>> Thanks.
>>>>
>>>>
>>>>
>>>>
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>>
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