[RWP] SOS: Q What are the best freeware plug-ins?
James Scholes
james at jls-radio.com
Sat Oct 23 13:19:46 EDT 2010
Hi all.
Just been looking through Sound On Sound for November 2010, and one of
the questions sent in by a SOS reader was:
"What are the best freeware plug-ins?"
As there has been some discussion on-list lately about what plug-ins
people like to use, I thought I'd pass along the information that SOS
came up with on this topic (a subscription fee is needed to view the
content on the SOS website otherwise). Also making this article
particularly relevant is the mention of the plug-ins that come with
Reaper by default, as well as mentions of some of the Kjaerhus Audio
Classic series plug-ins that were included in an archive of some useful
freeware plug-ins posted to this list earlier this week.
Q What are the best freeware plug-ins?
Published in SOS November 2010
There are loads of freeware plug-ins floating around out there now, so I
find I'm getting swamped by choices. One site I checked out listed 670
of them! I'd rather not slow down my sessions looking for the perfect
delay when just sticking with a good one and working with it would be
much more productive. I've checked out a few of the ones mentioned in
Mix Rescue and have been quite impressed, so I was wondering whether you
could give me some further suggestions for a couple for each basic
category of plug-in. In particular, I'd be interested in any 'go to'
freeware choices. I'm on a PC, so VST would be best.
Eoghan Brady via email
Some good freeware and donationware VST equalisers: Cockos ReaEQ, Bootsy
Nasty CS, Antress Modern Black Dragon, and DDMF LP10.
SOS contributor Mike Senior replies: First of all, you could do worse
than just download the ReaPlugs VST suite, which is a big chunk of the
Reaper plug-in complement and includes everything you're after, in one
form or another. I've done whole mixes with just Reaper's plug-ins, so I
can vouch for their effectiveness. Other particularly worthwhile sets
I've found are those from Antress Modern (http://antress.er-webs.com),
Bootsy (http://varietyofsound.wordpress.com), GVST (www.gvst.co.uk), MDA
(http://mda.smartelectronix.com) and Voxengo (www.voxengo.com), which
cover a lot of bases between them.
But on to some specific things I like, all of which have proved their
worth in the heat of Mix Rescue! For general-purpose EQ'ing, I do like
Reaper's ReaEQ a lot, but for extra colour, try Bootsy's Nasty series
and the Antress Modern emulations. DDMF (www.ddmf.eu) have a great
donationware linear-phase EQ called LP10, too. For synth-style
filtering, I usually just tend to automate ReaEQ, but Camel Audio's
Camel Crusher (www.camelaudio.com) and Ohm Force's Frohmage
(www.ohmforce.com) have more obvious attitude, if required. As far as
dynamics are concerned, ReaComp and ReaXcomp in the ReaPlugs set are,
again, good all-round workhorses, but things like Georg Yohng's W1
(www.yohng.com), Buzzroom's BuzMaxi 3 (www.x-buz.com), Bootsy's Density,
Jeroen Breebaart's PC2 (www.jeroenbreebaart.com) and the Antress Modern
vintage emulations all get regular use on my projects. ReaGate and
ReaFIR are a solid bet for most expansion and noise-reduction tasks, so
I've never really bothered looking elsewhere.
My freeware fallback for chorus, phaser, and flanger effects is Kjaerhus
Audio's Classic series, and although I could no longer find a web
presence for them at the time of writing, it's still possible to find
the plug-ins hosted on other sites via Google. MDA's Leslie and The
Interruptor's Wow & Flutter (www.interruptor.ch) are cool for general
modulation grunginess and I use those a lot. For tremolo/chopper
effects, try Tweakbench's Cairo (www.tweakbench.com) or Oli Larkin's
Autopan and LFO Chopper (www.olilarkin.co.uk). When it comes to
distortion/saturation, there's lots of good stuff and I admit to being a
bit of a collector in this respect. Some of my favourites are Bootsy's
Ferric, GVST's GClip and GRecti, Jeroen Breebaart's Ferox, MDA's Combo
and Bandisto, Mokafix Noamp (www.mokafix.com), Silverspike's Rubytube
(www.silverspike.com), and Voxengo's Tubeamp: so much dirt, so little
time! For more outrageous grainy and grungy effects, DBlue's Glitch
(http://illformed.org) is a good bet, as are Jack Dark's outrageous
Darkware series (www.gersic.com/plugins/hosted/darkware/darkware.html)
and Tweakbench's Pudding and Sideslip.
The Interruptor's delay plug-ins are good, as are GSi's WatKat
(www.genuinesoundware.com), Tweakbench's Maelcum and GVST's GDuckDelay.
That said, I tend to use ReaDelay for basic delay requirements most of
the time. Smart Ambience is a great functional reverb demo, but
Christian Knufinke's SIR (www.knufinke.de/sir/sir1.html) with impulses
from Echo Chamber (www.memi.com/echochamber/responses/index.html) takes
the cake for me in the freeware reverb department. For stereo image
adjustment and M/S processing, my clear favourites are Voxengo's MSED
and Flux's Stereo Tool (www.fluxhome.com). The latter has one of the
best stereo vectorscope displays I've encountered anywhere. Speaking of
displays, Roger Nichols' Inspector (www.rndigital.com) was my metering
and spectrum-analysis plug-in of choice for a long time, although
Voxengo's SPAN is also good. I tend to use Schwa's payware Schope
instead for most things these days, however. And speaking of Schwa
(www.stillwellaudio.com), they have a great freeware bitscope plug-in
called Bitter that can be handy for digital troubleshooting. The TT
Dynamic Range Meter is great if you're interested in the mastering
'loudness wars'; you can get it free on request via the Brainworx site
(www.brainworx-music.de).
Finally, here's a couple of odds and ends. Although I've yet to come
across a decent, simple, freeware pitch-shifter, if you're after
freeware pitch correction, look no further than GVST's GSnap, which is
pretty effective and has seen use in a number of Mix Rescues before now.
If you're a fan of Aphex-style psychoacoustic enhancement, also be sure
to fire up Stillwell Audio's exciter, one of the plug-ins available
within the ReaPlugs ReaJS host, which does the same kind of thing.
836679
Published in SOS November 2010
T
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James Scholes
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